Kelly O'Donohue
With a network of Artist Centres and Ateliers around the world, Yamaha works with leading players to support their performances and develop instrument designs and new ideas for the benefit of all musicians. Yamaha Artists share with us a passion for inspiring the next generation of players, and a belief that everybody should be encouraged to nurture their talent, connect with others and tell their stories through music.
Get to know trumpet & trombone player and Yamaha Artist Kelly O’Donohue
Statement about your relation with Yamaha or your instrument:
I'm sure many artists will say the same thing, but my trumpet really is a very close companion of mine. We have travelled the world together, experiencing the highs and lows (not just in pitch) of intense touring, back to back shows, being in new places and situations. My trumpet gives me a strong sense of security and comfort and it often feels very strange when I leave my house without it. I'm incredibly grateful towards my horn, even though we have some good days and some bad days, which is typical of the trumpet. I love to travel and my instrument has allowed me to be able to explore the world in ways I couldn't imagine.
How does your instrument help you in your daily life as an artist?
All my Yamaha instruments are incredibly reliable and versatile, which is important when I am arranging and recording brass in my studio. When I am not on the road touring, I spend most days in my studio recording brass for bands, film, video games and advertisements. Every project I arrange horns for is different, whether it be in style, genre, mood or feel. I can allow my creativity to get wild as I know I won't be limited with the capabilities of my horns. They sound fantastic in every mood and setting, which expands my skills as an artist.
How would you characterise your instrument?
Both the trumpet and trombone are very easy to play, bright but also round with a full bodied sound. The trumpet can really cut through while still blending with the rest of the band and music. Both of the horns are extremely versatile with excellent intonation, as well as very little back pressure so I can play with ease, every time.
Who was your most influential teacher and is there any advice which you still follow?
I had a number of very inspiring teachers from Melbourne, when I was studying at NMIT. Eugene Ball, especially for arranging and composing for horns. Edward Fairlie, Adrian Sheriff and Paul Williamson were also incredibly inspiring in understanding my own style and sound.
Advice for a young musician:
Keep listening and exposing yourself to new music and styles, it helps you feel inspired to play! And keep at it, you'll never know what opportunities will arise for you in the future. When I was a teenager, I considered quitting but am now so glad I didn't. I have since been able to travel and see the world, all through playing live music. It is also one of the greatest rewards to express your art to audiences and to grow a connection with them throughout a performance.
